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Apple Music 100 Best Albums

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21

Adele

15

Unguarded feelings and an otherworldly voice made this one of the 21st century’s biggest albums.

When Adele began writing the follow-up to her 2008 debut 19, she had a difficult time finding inspiration. Then, her relationship imploded—and within a day of her breakup, she and producer Paul Epworth had written the stormy, tearful “Rolling in the Deep,” which would go on to not only open her second album, 21, but eventually become one of 2011’s defining singles, setting the tone for a vibrant portrait of young heartbreak that showcases her fierce alto.

“It was so big and so many people took it into their lives. I can never live up to that again, and that’s fine.”

Adele

On 19, Adele established herself as a key part of the 2000s class of British R&B-inspired singers that included Amy Winehouse and Duffy. For 21, however, she added new dimensions to her sound, bringing in ideas borrowed from country, rock, gospel, and modern pop—as well as a gently psychedelic take on the downcast “Lovesong,” originally by fellow Brit miserablists The Cure. But Adele’s powerful voice and unguarded feelings were 21’s main draw, and her savvy about using them—as well as going all in only when a song’s emotional force required her to—made it one of the 21st century’s biggest albums, both a refuge and a rallying cry for anyone nursing a broken heart.

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Highway 61 Revisited

Bob Dylan

14

Dylan goes electric—and brings the entire culture with him.

“I need a dump truck, mama, to unload my head,” Bob Dylan howls toward the middle of his epiphanic 1965 album. Dylan—at that moment, the unofficial youth poet laureate and sneering voice of an emergent counterculture—had a lot on his mind. When he returned after a breakneck British tour in May 1965, he was exhausted, having released five albums in just three years. Was he out of things to say, or the drive to say them?

“It’s this transition…into rock star and exactly the time you do something slightly different—and piss people off.”

Ondara

On these nine songs, Dylan is over most everything—the world’s barbarity on “Just Like Tom Thumb’s Blues,” high society’s superficiality on “Ballad of a Thin Man,” the heart’s tangles and briars on “It Takes a Lot to Laugh, It Takes a Train to Cry.” As war escalated, the country heaved, and Dylan battled his new status, these were the images of an overheated mind acting out the theater of human experience in song. That gave listeners something to hold on to as the language and landscape of rock shifted in real time, which happened on—and because of—Highway 61 Revisited.

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Highway 61 Revisited by Bob Dylan