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Apple Music 100 Best Albums

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Disintegration

The Cure

56

A dreamy deep dive that signaled the goth icons’ new stadium-sized ambitions.

Four years after The Head on the Door’s bona fide melodies marked a definitive break with the claustrophobic intensity of the goth icons’ early-’80s run, The Cure’s eighth album sharpened those pop instincts and enlarged their vision to stadium-sized proportions.

“By the time you get to Disintegration, it’s weirder and darker, and I was all about it.”

Kaskade

Disintegration is a deep dive into a singular mood: wistful and deeply melancholy, informing (and informed by) waves of British shoegaze and dream pop. Alt-rock staples “Pictures of You,” “Lovesong,” and “Fascination Street” are as immediate and indelible as anything in their catalog, but the band tempers its emotions so that even the major-key tonality of a track like “Plainsong” is marked not by brightness, but a deeper, richer hue.

There’s an echo of their prior, character-defining bleakness here, but this time, the descent into despair is strangely welcoming, as if Robert Smith had discovered that on the coldest nights, wrapping up in one’s own loneliness is the only way to stay warm. And in the process, he brought goth—and its fans—into the mainstream.

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ANTI

Rihanna

55

The blueprint for 21st-century pop domination.

When Rihanna unleashed ANTI on the world, it quickly became clear that this wasn’t the Rihanna we’d come to know. Having left her longtime label and tossed her own hit-factory formula—which she had polished to perfection since her 2005 debut—out the window, she was free from expectation, free to cultivate her own mystique, and free to rethink what a modern pop blockbuster could sound like.

ANTI was the first time I took my time making an album. [It] for sure is my top favorite album I’ve ever made.”

Rihanna

The evolution starts with her bigger, bolder voice—from her whiskey-coated wails on the late-night voicemail that is “Higher” to breathing smoke on her cover of Tame Impala’s “New Person, Same Old Mistakes.” She proudly celebrates her Caribbean heritage on “Work”; she presents women with yet another kiss-off anthem with “Needed Me” and flaunts her erotic side on “Sex With Me.” She also mines and updates genres by going full ’50s doo-wop on “Love on the Brain” and channeling Prince for the velvety ’80s power-pop ballad “Kiss It Better.” Yet it all feels thoroughly modern and thoroughly distinct—the blueprint for 21st-century pop domination.

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ANTI by Rihanna