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Apple Music 100 Best Albums

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Jagged Little Pill

Alanis Morissette

31

Unapologetically honest songs about figuring it all out.

Alanis Morissette’s blockbuster third LP (following two teen-pop records that went Top 40 in her native Canada) was poetic and straightforward, cynical and idealistic, sarcastic and wide-eyed. It is also fearlessly confrontational, with sharp-edged criticisms of Catholicism, technology, and boyish men that few artists since have had the guts to echo. So when the 21-year-old former Nickelodeon star released it in 1995 after being dropped by her label, its unapologetic worldview hit different, offering a level of frankness and vulnerability that cut a path for generations of future singer-songwriters, Taylor Swift and Olivia Rodrigo among them.

“I remember saying to myself that I wouldn’t stop writing until I loved it with all of my heart.”

Alanis Morissette

Beneath the record’s radio-friendly hooks and shiny harmonies were observations on the messiness and banality of life. Human weakness is a theme—she’s distracted on “All I Really Want,” disoriented by happiness on “Head Over Feet.” Yet even if the album’s core spirit is disillusionment, its legacy is hopefulness—the idea that bleeding, screaming, and learning is also, ultimately, living. Perhaps that’s why, for all her angst and anger, Morissette is relatively kind to herself. In the easygoing “Hand in My Pocket,” now a time capsule of cigarettes and taxi cabs, she forgives herself for not having it all figured out.

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WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

30

Experimental, pitch-black teen pop that marked the debut of a new kind of superstar.

With the release of her haunting alt-pop smash “Ocean Eyes” in 2016, Billie Eilish made it clear she was going to be a new kind of pop star—an introvert who favored chilling melodies, moody beats, creepy videos, and a playful crudeness. At 17, the Los Angeles native—along with her brother and co-writer, Finneas O’Connell—presented her much-anticipated debut album, a melancholy investigation of all the dark and mysterious spaces that linger in the back of our minds.

Billie, who is both beleaguered and fascinated by night terrors and sleep paralysis, has a complicated relationship with her subconscious. “I’m the monster under the bed, I’m my own worst enemy,” she told Apple Music. “It’s not that the whole album is a bad dream, it’s just…surreal.” With an endearingly off-kilter mix of teen angst and experimentalism, the album quickly and decidedly launched Billie Eilish as the perfect avatar for a new, uncertain era.

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WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? by Billie Eilish