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Apple Music 100 Best Albums

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Get Rich or Die Tryin'

50 Cent

82

Defying logic and modern medicine, a rap supervillain with an ear for a hook rises.

On the cover of Get Rich or Die Tryin’, 50 Cent essentially looks like a superhero—but if anything, the album was an origin story for one of rap’s all-time great supervillains. 50 learned the ropes under the mentorship of Run-DMC’s Jam Master Jay, landed a deal with Columbia Records, and built a buzz with single “How to Rob” before being hit with nine bullets outside of his grandmother’s home in Queens. After he recovered, his legendary mixtape run with his G-Unit crew reworked the hit rap and R&B records of the time, adding his own deadpan, street-savvy choruses.

“It’s so important to have your own style, your own sound, your own identity or you can’t impact as hard.”

50 Cent

When it came time for 50’s studio debut, those powers were on full display and his resources were abundant. “In Da Club” was an inescapable party starter, and “Many Men (Wish Death)” revisits his nearly fatal shooting, triumphantly boasting about his survival. And like any supervillain, he had a rival: Ja Rule, a chart conqueror in his own right whose street feuds with 50 made him the target of the haunting “Back Down.” Not bad for someone who was counted out a few years earlier.

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After the Gold Rush

Neil Young

81

Messy but direct, the blueprint for despairing acoustic rock to come.

After the Gold Rush is probably the first multiplatinum album to be recorded in someone’s basement, but just as importantly, it sounds like it. Young settled into the style that defined him for the next 50-plus years: intuitive, direct, a little messy, but with a reliable line on what often felt like deeper creative truths. When the hotshot teenage guitarist Nils Lofgren fielded his request to play piano by saying he didn’t know how, Young said great—that’s exactly the kind of pianist he was looking for.

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And in a moment when the optimism of the ’60s was dissipating into the realities of the Vietnam War and ecological ruin, Young took the now-familiar step of engaging his surroundings by withdrawing to somewhere quieter and more despairing (“After the Gold Rush”), a tone that eventually gave us everything from Elliott Smith to Bon Iver. James Taylor and Joni Mitchell could keep their sophistication—Young was gonna rhyme “burning” with “turning” and “fly” with “sky” all day long.

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After the Gold Rush by Neil Young